Publications

Monographs:

Seeing Theater: The Phenomenology of Classical Greek Drama. Oakland: University of California Press, 2023. 

The Music of Tragedy: Performance and Imagination in Euripidean Theater. Oakland: University of California Press, 2018. 

Edited volumes:

Music and Memory in the Ancient Greek and Roman Worlds. Edited with Lauren Curtis. Cambridge: Cambridge University Press, 2021.

Genre in Archaic and Classical Greek Poetry: Theories and Models. Edited with Margaret Foster and Leslie Kurke. Leiden: Brill, 2020.

Articles and book chapters:

"Aristotle's Tereus: Birds, Humans, and Theater in the History of Animals." Forthcoming in Classical Antiquity.

"Orestes' Bow and the Possibilities of Performance." Forthcoming in TAPA.

“Bodies Between Pots and Plays.” In Corporeal Classical Reception, edited by Lilah Grace Canevaro and Barbara Graziosi. Edinburgh: Edinburgh University Press. Forthcoming.

"Gestures of Violence: Gender, Genre, and Space in Lucian’s Dialogues of the Courtesans 10." In Cultural Poetics in Ancient Greece: New Directions, edited by Margaret Foster and Naomi Weiss. Forthcoming.

“Double Wives in Euripides’ Ino.” In The New Euripides Papyrus, edited by John Gibert, Laurialan Reitzammer, and Yvona Trnka-Amhrein. Washington, DC: Center for Hellenic Studies. Forthcoming.

“Acrobats and Audiences in West Greek Vase Painting.” In Unsettled Dynamics: The Engagement of Audiences in Ancient Greek Theatre, edited by Anne-Sophie Noel, Al Duncan, and Pascale Brillet. De Gruyter. Forthcoming.

“Music and Pathos in Aeschylean Tragedy.” In The Beauties of Song: Aesthetic Appreciations of Music in the Greek and Roman World, edited by Theodora Hadjimichael and Pierre Destrée. Forthcoming.

“Teaching Tragic Form with Luis Alfaro.” In The Art and Artistry of Luis Alfaro: Reimagining Classics in the Classroom and Community, edited by Young R. Kim, 75–88. London: Routledge, 2026.

“Bodies That Shock: The Erinyes and Lyssa.” In Sensing Greek Drama, edited by Zachary Case, Marcus Ellis, and Antonia Reinke, 145-62. Cambridge: Cambridge Philological Society, 2024.

“Audience.” In Imprints of Ancient Dance: Texts, Bodies, Images, Movement, edited by Zoa Alonso Fernández and Sarah Olsen, 157-82. Madrid: Universidad Autónoma de Madrid Ediciones, 2024.

“Music, Dance, and Meter in Aeschylean Tragedy.” In A Companion to Aeschylus, edited by Jacques Bromberg and Peter Burian, 242-53. Malden: Wiley Blackwell, 2023.

“Tragic Form in Kamila Shamsie’s Home Fire.” Classical Receptions Journal 14 (2022) 240-63.

“Tracing Timbre in Ancient Greece.” In The Oxford Handbook of Timbre, edited by Emily Dolan and Alexander Rehding, 229-48. Oxford: Oxford University Press, 2021.

“Performance, Memory, and Affect: Animal Choruses in Attic Vase Painting.” In Music and Memory in the Ancient Greek and Roman Worlds, edited by Lauren Curtis and Naomi Weiss, 203-33. Cambridge: Cambridge University Press, 2021.

With Lauren Curtis, “Introduction.” In Music and Memory in the Ancient Greek and Roman Worlds, edited by Lauren Curtis and Naomi Weiss, 3-24. Cambridge: Cambridge University Press, 2021.

“Opening Spaces: Prologic Phenomenologies in Greek Tragedy and Comedy.” Classical Antiquity 39 (2020): 330-67.

“Ancient Greek Choreia.” In A Companion to Ancient Greek and Roman Music, edited by Eleonora Rocconi and Tosca Lynch, 161-72. Malden: Wiley Blackwell, 2020.

“Generic Hybridity in Greek Tragedy.” In Genre in Archaic and Classical Greek Poetry: Theories and Models, edited by Leslie Kurke, Margaret Foster, and Naomi Weiss, 167-90. Leiden: Brill, 2019.

With Margaret Foster and Leslie Kurke, “Introduction.” In Genre in Archaic and Classical Greek Poetry: Theories and Models, edited by Margaret Foster, Leslie Kurke, and Naomi Weiss, 1-28. Leiden: Brill, 2019.

“Forms and Media.” In A Cultural History of Tragedy in Antiquity, edited by Emily Wilson, 17-34. London: Bloomsbury, 2019.

“Speaking Sights and Seen Sounds in Aeschylean Tragedy.” In The Materialities of Greek Tragedy: Objects and Affect in Aeschylus, Sophocles and Euripides, edited by Melissa Mueller and Mario Telò, 169-84. London: Bloomsbury, 2018.

“Hearing the Syrinx in Euripidean Tragedy.” In Music, Texts, and Culture in Ancient Greece, edited by Armand D’Angour and Thomas Phillips, 139-62. Oxford: Oxford University Press, 2018.

“Performing the Hymenaios in Euripides’ Iphigenia in Aulis.” In Paths of Song: Interactions between Greek Lyric and Tragedy, edited by Rosa Andújar, Thomas Coward, and Theodora Hadjimichael, 315-41. Berlin: De Gruyter, 2018.

“Noise, Music, Speech: The Representation of Lament in Greek Tragedy.” American Journal of Philology 138 (2017): 243-66.

“The Choral Architecture of Pindar’s Eighth Paean.” Transactions of the American Philological Association 146 (2016): 237-55.

“The Antiphonal Ending of Euripides’ Iphigenia in Aulis.” Classical Philology 109 (2014): 119-29.

“The Visual Language of Nero’s Harbor Sestertii.” Memoirs of the American Academy at Rome 58 (2013): 65-81.

“Recognition and Identity in Euripides’ Ion.” Recognition and Modes of Knowledge: Anagnorisis from Antiquity to Contemporary Theory, edited by Teresa Russo, 33-49. Edmonton: University of Alberta Press, 2013.

“A Psychoanalytical Reading of Euripides’ Ion: Repetition, Development and Identity.” Bulletin of the Institute of Classical Studies 51 (2008): 39-50.
 

Reviews:

Sarah Nooter, The Mortal Voice in the Tragedies of Aeschylus. Bryn Mawr Classical Review 2018.10.29.

Judith Mossman (ed. and trans.), Euripides: Medea. Classical Review 66 (2016): 39-41.

Johanna Hanink, Lycurgan Athens and the Making of Classical Tragedy. Classical Philology 111 (2016): 89-94.

Renaud Gagné and Marianne Govers Hopman (eds.), Choral Mediations in Greek Tragedy. Classical Review 65 (2015): 25-27.

In progress:

Euripides: Orestes. Commentary co-written with Sarah Olsen. Under contract with Cambridge University Press.

Tragic Repetition. Short monograph for Cambridge Elements in Ancient Greek and Roman Drama and Performance. Under contract with Cambridge University Press.

Cultural Poetics in Ancient Greece: New Directions. Volume co-edited with Margaret Foster.

“Epilogue: Reimagining Performance.” Chapter for From Text to Performance: Reimagining Greek Drama, edited by M. Halleran, M. Brown, and J. Paga.