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2019
Wilson, Emily, and Naomi Weiss. 2019. “Forms and Media”. In A Cultural History of Tragedy in Antiquity, 17-34. London: Bloomsbury.
Wilson, Emily, and Naomi Weiss. 2019. “Forms and Media”. In A Cultural History of Tragedy in Antiquity, 17-34. London: Bloomsbury.
Foster, Margaret, Leslie Kurke, Naomi Weiss, Margaret Foster, Leslie Kurke, and Naomi Weiss. 2019. “Introduction”. In The Genres of Archaic and Classical Greek Poetry: Theories and Models, 1-28. Leiden: Brill.
Foster, Margaret, Leslie Kurke, Naomi Weiss, Margaret Foster, Leslie Kurke, and Naomi Weiss. 2019. “Introduction”. In The Genres of Archaic and Classical Greek Poetry: Theories and Models, 1-28. Leiden: Brill.
Foster, Margaret, Leslie Kurke, and Naomi Weiss. 2019. The Genres of Archaic and Classical Greek Poetry: Theories and Models. Leiden: Brill.
Foster, Margaret, Leslie Kurke, and Naomi Weiss. 2019. The Genres of Archaic and Classical Greek Poetry: Theories and Models. Leiden: Brill.
2018
Weiss, Rosa Andújar, Thomas Coward, and Theodora Hadjimichael. 2018. “Performing the Wedding Song in Euripides’ Iphigenia in Aulis”. In Paths of Song: The Lyric Dimension of Greek Tragedy, 315-41. Berlin: De Gruyter.
Weiss, Rosa Andújar, Thomas Coward, and Theodora Hadjimichael. 2018. “Performing the Wedding Song in Euripides’ Iphigenia in Aulis”. In Paths of Song: The Lyric Dimension of Greek Tragedy, 315-41. Berlin: De Gruyter.
Weiss, Tom Phillips, and Armand D’Angour. 2018. “Hearing the Syrinx in Euripidean Tragedy”. In Music and Text in Ancient Greece, 139-62. Cambridge: Cambridge University Press.
Weiss, Tom Phillips, and Armand D’Angour. 2018. “Hearing the Syrinx in Euripidean Tragedy”. In Music and Text in Ancient Greece, 139-62. Cambridge: Cambridge University Press.
References to the syrinx are mostly absent from extant tragedy until the late fifth century BC, when the instrument suddenly starts appearing in Euripides’ plays, especially in the choral odes. This chapter demonstrates that the syrinx is almost always...
Weiss, Naomi. 2018. The Music of Tragedy: Performance and Imagination in Euripidean Theater. Oakland: University of California Press.
Weiss, Naomi. 2018. The Music of Tragedy: Performance and Imagination in Euripidean Theater. Oakland: University of California Press.
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Naomi Weiss demonstrates that Euripides’ allusions to music-making are not...
Dolan, Emily, Alexander Rehding, and Naomi Weiss. 2018. “Tracing Timbre in Ancient Greece”. In The Oxford Handbook of Timbre. Oxford: Oxford University Press.
Dolan, Emily, Alexander Rehding, and Naomi Weiss. 2018. “Tracing Timbre in Ancient Greece”. In The Oxford Handbook of Timbre. Oxford: Oxford University Press.
This chapter investigates the timbral world of ancient Greece through a close analysis of particular types of sonic language in a selection of poetry and prose treatises, from Homeric epic to fifth-century BCE tragedy to the treatises of Aristotle and his...
Mueller, Melissa, Mario Telò, and Naomi Weiss. 2018. “Speaking Sights and Seen Sounds in Aeschylean Tragedy”. In The Materialities of Greek Tragedy: Objects and Affect in Aeschylus, Sophocles and Euripides, 169-84. London: Bloomsbury.
Mueller, Melissa, Mario Telò, and Naomi Weiss. 2018. “Speaking Sights and Seen Sounds in Aeschylean Tragedy”. In The Materialities of Greek Tragedy: Objects and Affect in Aeschylus, Sophocles and Euripides, 169-84. London: Bloomsbury.
Weiss, Naomi. 2018. “Review of Nooter, Sarah, The Mortal Voice in the Tragedies of Aeschylus”. Bryn Mawr Classical Review 2018.10.29.
Weiss, Naomi. 2018. “Review of Nooter, Sarah, The Mortal Voice in the Tragedies of Aeschylus”. Bryn Mawr Classical Review 2018.10.29.
2017
Weiss, Naomi. 2017. “Noise, Music, Speech: The Representation of Lament in Greek Tragedy”. American Journal of Philology 138 (2): 243-66.
Weiss, Naomi. 2017. “Noise, Music, Speech: The Representation of Lament in Greek Tragedy”. American Journal of Philology 138 (2): 243-66.
This article examines how lament in Greek tragedy is conceptualized as both highly skillful song and inarticulate noise, and how the slippage between these two apparently contradictory characteristics could be exploited for dramatic effect. I demonstrate...
2016
Weiss, Naomi. 2016. “Review of Hanink, J. 2014. Lycurgan Athens and the Making of Classical Tragedy. Cambridge.”. Classical Philology 111: 89-94.
Weiss, Naomi. 2016. “Review of Hanink, J. 2014. Lycurgan Athens and the Making of Classical Tragedy. Cambridge.”. Classical Philology 111: 89-94.
Weiss, Naomi. 2016. “Review of Mossman, J. Ed. 2011. Euripides. Medea. Warminster.”. Classical Review 66: 39-41.
Weiss, Naomi. 2016. “Review of Mossman, J. Ed. 2011. Euripides. Medea. Warminster.”. Classical Review 66: 39-41.